Cerpin’s 2017 Roundup I (Jan – April)

You may (or may not) have noticed that things have ground to a halt here at Prog Talk. Now I can’t speak for every admin, but a deadly cocktail of all-consuming academia, a dab of stress and a deviating taste away from prog has left Prog Talk untouched for some time and Cerpin throwing up over the side of the settee. Metaphorically speaking, of course.

Dare I say that prog just doesn’t interest us anymore? No, that’s not quite right – there are still a number of progressive rock albums from 2017 that have duly impressed me, but there’s been a lot more that haven’t. However, it’s prog’s sister-genres: avant-garde, experimental, and jazz fusion that have really piqued my interest so far – so you have some catching up to do, prog.

As we’ve just entered the second third of 2017, I thought it would be fitting to give a brief roundup on my highlights of the year up until now, and a shout-out to future albums that we may expect to be just as excellent. Remember: This is just my opinion, I do not speak for the rest of the team at Prog Talk.

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Album Review: Azure. – Wish For Spring

AZUREConcept driven ‘classic’ progressive rock has had a bit of a bad run recently – well, for this cynic at least, anyway. Neal Morse’s album and Dream Theater’s He-Whomst-Must-Not-Be-Named have left a sour taste in the mouths of many, especially for the latter’s hollow and copious ballads. Imagine my surprise when Azure.’s debut album comes and flaunts classic prog worship; 19-minute conceptual narratives and power ballads like they’re going out of fashion. With Wish For Spring, Azure. has breathed new life into the seemingly doomed prog stereotype with daring vocals, exciting song concepts and a pinch of sex appeal that makes for one of the strongest prog records from this year so far.


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Let Me Make It Clear: Nova Collective Is Good, but Nothing New

The new prog supergroup Nova Collective, encompassing the bands Between the Buried and Me, Haken, Cynic, and Trioscapes, is soon releasing The Further Side. They play some damning good tunes, as demonstrated in the video above, and in the other ones that they’ve published, but everyone calling their music ‘new’, ‘pushing boundaries’, or ‘next level’ is only putting their musical illiteracy in broad daylight. Here’s why, in a relatively short rant. Continue reading

Cerpin Taxt’s Best Albums of 2016 – Part II (#5 – #1)

This is the concluding part to my Best Albums of 2016 list; you can read Part I (#10 – #6) here

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Again, this list is to celebrate the most fantastic albums from 2016, and I highly urge you to check them out if you haven’t done so already – you may end up loving these as much as I do!


#5 – Vektor – Terminal Redux (Thrash Metal / Progressive Metal)

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Thrash metal isn’t exactly a prosperous genre nowadays; whilst ‘The Big Four’ are still alive and kicking (albeit frailly), their latest efforts have fallen short of their former glory. At least that’s the general consensus, but I’ve never been a thrash fan to begin with and I never thought any album could turn me round.

Cue Terminal Redux, and the explosive intro to ‘Charging the Void’; painting the cosmic canvas of an album that’s set to hyper speed from the word ‘go’. Vektor’s third album is a seamless trail of memorable, heavy riffs for well over 70 minutes of constant high energy; even the relatively gentle closers, ‘Collapse’ and ‘Recharging the Void’, ooze with gravity with the gravelly choruses or wailing female vocals. Like Cult of Luna & Julie Christmas’ Mariner, Terminal Redux is the soundtrack to an immense space-faring journey; one a little more exciting than No Man’s Sky (though the soundtrack for that is superb, too).

I’d wish for an extra pair of arms just so I could simultaneously play air guitar and air drums along to all of Terminal Redux; it’s grossly enjoyable and, dare I say, fun? Even the guitar tapping solo in ‘LCD [Liquid Crystal Disease]’ sounds like spaceship lasers flying across the galaxy. It’s a shame that most of Vektor left the band towards the end of 2016, but frontman David DiSanto is confident that Vektor will continue going on strong; and given how sound Vektor’s track record is, I have no doubt about that.


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Cerpin Taxt’s Best Albums of 2016 – Part I (#10 – #6)

Though 2016 is long, long gone, there are a large number of albums which still resonate strongly with me from last year that I couldn’t not write about, even if I am unforgivably late. Like my most disappointing albums of 2016 list, I’ve had to cut my ‘Album of the Year’ list into two parts because I’ve had so much to say about them!

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Please note: there are a lot of albums which I still haven’t heard or ranked from 2016, either out of negligence or, well there really is no other excuse – if there’s an album you love that hasn’t made this list, there’s a chance I haven’t listened to it as of writing this article. Then again, there’s a higher chance that these albums succeeded it, in my opinion.

As ever, feel free to leave a comment below if you want to share your thoughts on these albums or whether you think they don’t belong here. But without further ado, here are my top albums from 2016:


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Single Review: The Tangent – A Few Steps down the Wrong Road

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The Tangent is one of my favourite progressive rock groups, or, in this case, supergroup. Admittedly, their delivery is far from being consistent, and ranges from the tremendous Not as Good as the Book (2008) and Le sacre du travail (2013) to the very lacklustre Comm (2011) and A Spark in the Aether (2015). So, it’s always a case of cautious excitement whenever Andy Tillison’s Canterbury-inspired prog rock outfit announces something new. Here comes ‘A Few Steps down the Wrong Road’, a 19-minute epic that was released in August of last year, in anticipation of the band’s upcoming album, The Slow Rust of Forgotten Machinery. Continue reading

Cerpin Taxt’s Disappointing Albums of 2016 – Part II

Following on from yesterday’s article, this is the conclusion to my Disappointing Albums of 2016 list, where I discuss the albums that personally let me down this year. What? You haven’t read Part I yet? What are you doing here? You’ll ruin the surprise!

You can read Part I of my Disappointing Albums of 2016 here

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Disclaimer: this is NOT my ‘Worst Albums of 2016’ list

Some of the albums on this list I genuinely like – but not these two, oh no, not these two. As ever, if you disagree, if you’re outraged and want to challenge me to a fist fight or if you want to counter my arguments, feel free to give your thoughts in the comments section below!

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Cerpin Taxt’s Disappointing Albums of 2016 – Part I

2016 – what a year, ey? I’m sure you’re all aware of the *ahem*, yuge events that occurred over the past year, but you’re probably sick to the teeth of the ‘2016 is the worst’ rhetoric by now, so I won’t beat a dead horse.

But, to follow up on Frog’s Top Ew of the Year, I want to talk about what albums I found to be disappointing from 2016. This year has been quite remarkable in terms of the quality of music that has been released, though there have been some artists that failed to meet expectations, sometimes even miserably. The bands in this list are, what I feel to be, those artists. I love what these bands have done previously at some point in their discography, which plays a big factor in building expectations for these albums, but ultimately I’ve felt that their albums from 2016 were a let-down.

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Disclaimer: This is NOT my ‘Worst Albums of 2016’ list.

The following five LPs are those that I felt have been personal disappointments, not the downright embodiment of humanity’s collective sin. I won’t be making a ‘Worst Of’ list, either; I don’t go out of my way to listen to objectively terrible music, sometimes we cross paths, but thankfully this year has been somewhat merciful.

These are just my opinions, so if yours are different or you feel like I’m being unfair, tell us in the comments section below! But first things first, here’s the first part of my Disappointing Albums of 2016: Continue reading